For example, when Mikage finally makes peace with the idea that life is a perpetual balance of pain and joy, she describes a lighthouse that casts its light beam on the dark ocean waves. For example, when grieving her grandmother, Mikage dwells on the “blackness of the cosmos.” Yoshimoto captures Mikage’s acceptance of the necessity of both pain and joy with the metaphor of dark spaces that are punctuated with sources of light. Mikage describes her most painful moments as a feeling of pervasive darkness. Yoshimoto captures Mikage’s happy moments with metaphors about light emanating from the places and people she loves, such as kitchens, Eriko, and Yuichi. Yoshimoto uses the symbols of light and dark to capture the balance of joy and pain respectively, illustrating that true peace of mind emerges when the darkness of pain is infused with (rather than replaced by) light. Mikage, in contrast, is able to experience “bliss” through her cooking, because of her experiences with grief.
For example, Mikage describes the women in her cooking class, like her competitors for the cooking assistant job, as limited in their happiness because they’ve known no suffering. It’s only when Mikage accepts that her painful experiences are part of life that she is able to experience a joy that surpasses the happiness of those of who have never experienced pain. I’m grateful for it.” Mikage struggles throughout the story with the worry that she will dwell in darkness and never be happy because of her encounters with death. When Mikage is grieving her grandmother, Eriko consoles Mikage by saying, “if a person hasn’t ever experienced true despair, she grows old never knowing how to evaluate where she is in life never understanding what joy really is. Yoshimoto argues-through Eriko’s voice-that people who have not experienced true suffering cannot understand real joy, implying that both are necessary in the world. Yoshimoto argues that a person will only experience true happiness when they accept the presence of suffering, just as Mikage does towards the end of the story. In fact, suffering is needed to truly understand joy.
Yoshimoto, however, speaking through the voice of Eriko Tanabe-the woman who takes Mikage in at the start of the story-believes that no person can eradicate pain. Throughout the story, the protagonist, Mikage Sakurai, struggles to connect with joy while grieving, and worries that life is really just about enduring pain, or dwelling in darkness. Banana Yoshimoto infuses Kitchen with frequent references to “ light” and “ dark” to impart her philosophy about the balance of joy and suffering in life.
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